Showing posts with label New Jersey. Show all posts
Showing posts with label New Jersey. Show all posts

Thursday, June 17, 2010

Lakota Wolf Preserve














Our exhibit is in September, not that far away and I'm starting to freak out. I thought I better get caught up on some things I've been meaning to post and get out there and shoot!
The Lakota Wolf Preserve in Columbia NJ, near the Delaware Water Gap, really fits our theme for this exhibit – a New Jersey hidden treasure that you will only find when you get off the main highways. Other than the safari at Six Flags Great Adventure, who knew these kinds of wild animals were in New Jersey?

I shot there this past winter, and found the wolves separated into packs in large fenced areas. The operators Dan and Pam Bacon along with Jim Stein have been committed to saving wolves and providing a safe place for them in New Jersey.
Wolves are actually native to New Jersey, although they are long gone from the area. The preserve is home to relocated Timber, Arctic, and Tundra wolves, as well as foxes and bobcats.

Visiting the preserve is a bit surreal, as you travel through the forest to find the ever-vigilant wolves are awaiting your arrival. The pack misses nothing, as the eyes and ears are constantly alert for motion and sound. The guide explains the pack hierarchy and there are constant challenges and rebuttals by the leader. The challenger either backs down immediately or risks being killed, so the confrontations are short and violent.

Although these beautiful animals look very much like the loveable husky dogs in your neighborhood, the wolves are wild animals. They are socialized to be around humans, otherwise they would stay out of sight. That does not mean they are friendly, or that they will not bite or attack without warning. Another photographer I was with was not paying attention when one of the wolves got his snout under the chain link fence and bit the photographer’s foot. There were teeth marks on his heavy boot, had he been wearing sneakers the teeth would have left more than a scratch.

Visitors have two chain link fences between them and the wolves, photographers can pay $300 for access to the interior chain link fence, which has openings for unobstructed shooting. These access windows are large enough for a wolf to get his head through when open. Needless to say I used a long lens and kept aware of my surroundings. Still, I was often surprised to find a wolf closer than I expected.

This is an unforgettable day trip, and will remind you just how wild this state really is. Learn more at lakotawolf.com

Wednesday, May 5, 2010

Take Me Down to Chuckie’s Farm

Posted By Rich- Baby Goats, Broken Glass, Living in a Laundry Truck, and Sri Yantras. All this and more in the space of two hours at the farm and studio of Chuck Katzenbach. I took my Senior Illustration students from Moore College of Art and Design on an informal field trip to his place this past week, on a gorgeous sunny spring afternoon. It was the day after our Senior Show, and a good way for some art students who had worked hard all year and felt the stress of a real deadline to be able to relax and enjoy a day away from Center City Philadelphia.
Artist Chuck Katzenbach explaining to art students how this solar heater warms his house and barn.

Four students rode the R3 Regional Rail train to Langhorne, PA with me, and we then drove to Lambertville, NJ. We met another of my students, who also happens to be a Mom, in Lambertville with her 5 – year old daughter, Mia. Mia was very interested in going along because Chuck had mentioned to me on the phone that he had some newborn baby goats. Chuck lives on top of a hill on Rt 579 between Lambertville and Hopewell, on a piece of property next to the stone house he grew up in; his son, daughter-in-law and grandchildren live there now. One of my students who came along lives in Texas when she is not attending college at Moore, and her reaction to our drive along the Delaware and up towards Hopewell was "THIS is New Jersey??” Two other students riding with me who actually live in the Garden State closer to Trenton and Cherry Hill area had the same reaction: “THIS is New Jersey??”

Chuck named his operation “Sweet Sourland Farm”, as this region of New Jersey is referred to as “The Sourlands”, but Chuck produces some fantastic maple syrup from the maple trees on his property, so the “Sweet” adjective means more than just the appearance of the place on a sunny spring afternoon. His property is located close to the summit of Sourland Mountain, which at only 560 or so feet above sea level is not really impressive as mountains go. However, given the way large boulders are strewn about on the slopes, and vertical slabs of igneous rock prominently display themselves in outcroppings of argilite, the 560 feet looks pretty dramatic. It's also a great subject for landscape paintings.

Sourland Mountain is really the high point on a long, 17-mile ridge that also includes Baldpate Mountain, with reportedly great views of the Delaware River Valley. This great view probably didn’t matter to the settlers who discovered that this area may be great for painting landscapes, but it's not so good for farming. The boulders, igneous rock outcroppings, and that darned argilite, a rock noted by geologists for its impermeability, made for a lousy aquifer under the Sourlands. Chuck is fortunate in that he has a great spring on his property, so good that when it gets dry down the hill in Hopewell, people used to come to his area in horse-drawn wagons for water.

There wasn’t a heck of a lot going on in the Sourlands besides quarrying all that rock until better roads were built in the 1960s. The remoteness of the area attracted aviator Charles Lindbergh to build his home there; unfortunately, the inaccessibility of the area did not prevent the infamous “Crime of the Century”, the kidnapping and murder of his son, from occurring in 1932.

I didn’t tell my students any of this information while we drove to Chuck’s farm. We were listening to a different Chuck, Chuck Berry, play his greatest hits on the CD player as we drove. Getting closer, I slowed down but still drove right by his place, missing the driveway entrance; I have only been to Chuck’s farm during the winter prior to this, and then I could easily recognize his place by the large illuminated Peace sign he has adorning the cupola of the barn that fronts the road. He put it up as a Christmas decoration a few years ago, decided the message was worth announcing year round, and keeps it there in working order.

As a matter of fact, I hadn’t told them much of anything about what his place was like, which may account for their reaction when we arrived. I pulled my truck up in the driveway between the assortment of small natural colored utility buildings and parked in front of his house. Right away the reaction was "THIS is Chucks farm??”
The small buildings on the property are beautifully constructed by Chuck from timber he harvested from tall Eastern White Pine trees he planted with his father over 50 years ago, and with reclaimed lumber he modified in his own sawmill. Solar panels and solar water heating systems adorn the roofs of a few of the larger structures, and one cozy guest house set back down the hill has a living roof made of sod and other vegetation growing on the 30-degree pitched surface. The guest house is also constructed from reclaimed lumber and cast off materials, including a porch enclosed with large pieces of glass from discarded storm doors.

I think some of the students may have thought the setting would be more like a dairy or horse farm, with Chuck wearing blue overalls and a straw hat, and chugging up out of the North 40 on a John Deere tractor. Well, on his farm he has some goats, but that's about as far as the "e-i,e-i,oh" part goes...

Chuck is a fellow member of the Artists' Gallery Co-op in Lambertville with me. First thing we did was after the students met Mr. Katzenbach and his wife Bru was to see the day’s newborn baby and mommy goat in a straw-filled pen. The students (all girls , by the way; Moore is an all-women’s college) said “Awwwww, how cute!!” several times in unison and took pictures of the baby while Chuck explained how rewarding goat farming is, even with the small herd of 20 or so goats he presently has. He also said that of all the goat meat consumed in the United States, about half of it is served up in the area between New York City and Philadelphia, given the ethnic and religious make up of the population in this area and their taste and need for fresh goat meat. He mentioned that this little guy, and another out in the pasture that had been born a week ago would probably end up on a dinner platter before their first birthday, as the male goats tend to be more valued for their meat than anything else. I guess in an effort to avoid becoming emotionally attached to either of them, he had named this one “Stew”, and the slightly older male out in the field “Burger”. This sobering information on the reality of farming had a mitigating effect on the visitor's exclamations of how cute Little Stew was, but after a few more pix we went outside and Chuck explained how he has made efforts to be “green” with his operation.













The roof could use a little trim: the guest house, with the sawdust privy in the background.

The guest house with the living roof covering and recycled glass doors began it’s life as a chicken coop. It has the feeling of a neat little clubhouse, the kind we all would have loved to have had as a kid to escape from the world on a summer day and read comic books in. Being "green", the converted coop comes complete with an outdoor privy equipped with a sawdust commode. My student from Texas was extremely interested in the way the guest house was constructed, how the privy used sawdust and how the sawdust was used as compost. I was thinking about where I would have kept the comic books.

We were shown the Sugar House, where Chuck boils down sap to make maple syrup. It is also a somewhat rough hewn but neat and tidy structure, with pipes and tubes and chimneys and metal containers running about the interior in a somewhat Rube Goldberg fashion. On the wall Chuck had drawn a Sri Yantra, an ancient design symbol used in Eastern mysticism to balance the mind or focus it on spiritual concepts. Chuck told us it is a crystallization of the word “ohm”, and darn hard to draw accurately. He seemed to do a pretty good job of rendering it, though, and he has taught classes on how to do just that along with a course on understanding and utilizing it. You can find out more about the Sri Yantra design by visiting here: http://en.wikipedia.org/wiki/Sri_Yantra.




Magical Mystery Maple Syrup: the Sri Yantra in the Sugar House.

The house Chuck and Bru live in is a reassembled 1830's farmhouse from Berks County, PA. After Hurricane Agnes blew through in 1972 and caused widespread flooding in the Northeast, an area outside of Bernville, PA was being converted to a nature, recreational, and flood control area. This house was located in a spot destined to be at the bottom of a resevior, but instead of being bulldozed, it was purchased, disassembled, and the components moved to an area above New Hope, PA. It remained there for a time until Chuck purchased the whole shooting match and moved it piece by piece up to his acreage in the Sourlands. He reconstructed it with improvements in the utilities and insulation, as well as altering the interior layout. It’s a beautiful place, and on the wall of the kitchen Bru pointed out a picture of their first home: an early 1960’s International Harvester panel truck that Chuck and Bru lived and traveled in during the late 1960s and early ‘70s. It was a former delivery truck for an industrial laundry, and perhaps prophetically, they painted it green. After a nice lunch and fascinating stories about traveling around the country in a one seat laundry truck with a pot belly stove in it, we were shown Chuck’s gallery and studio.













Chuck explains the intricacies of cut glass and oil paint assemblages; Mia was not impressed.

The downstairs portion of the converted barn with the illuminated Peace sign on the cupola is a combination of garage and gallery, with motorcycles and vintage trucks on one side of the building and works by Chuck hanging on the other. Chuck works with oils painted on glass, and often cuts glass into geometric shapes and mounts them in layers inside a box frame. Sometimes primary colors are used in conjunction with interlocking shapes to create works that remind me of the Op-Art movement. With his background as a craftsman complimenting his work as an artist, his abstract assemblages are both thought provoking and look good in the sunlight as well.












I Love the Sound of Breaking Glass:
Chuck didn’t, especially after this cut glass version of a Sri Yantra fell off a gallery wall and broke a second work of his.


Upstairs are his glass cutters and table saws, next to a well-used studio with easels, drawing tables and a comfortable couch. Also occupying space in both rooms upstairs is an abundant supply of plate glass and lengths of wood, waiting to be transformed into his next project. True to his “recycle, reuse, repurpose” philosophy, this large amount of glass is a collection of cast off pieces given to Chuck by friends who no longer need it, or glass he scrounged off the curbsides on trash night. He mentioned he will probably never run short of glass for his projects, and politely turned down my offer of the 10 or so pieces in my basement that were left there by the previous owner.





Burger, or just a Quarter –Pounder? Mia finally gets to pet a baby goat.



We stopped in the pasture to see the goat herd and check out Burger, the one week old male, who entertained us with his leaping ability and over all baby animal cuteness. Mia in particular was charmed by the baby goat, and the goats were charmed by the prospect that Farmer Chuck may be getting them some food, so they clustered about us…
It soon became evident to the goats that Chuck was not there to feed them, so they wandered off down the pasture and we wandered back to my truck. All of this was getting to be a lot for my students to absorb in a few hours; They seemed a little overwhelmed and mostly amazed by everything Chuck and Bru have done and accomplished. It was getting time to drive back to Langhorne and catch a train to Philadelphia, so we said our thank yous, goodbyes, and good lucks and headed back towards Lambertville.

And THAT was Chuck’s farm.

Sunday, January 17, 2010

The Long Way to Lambertville

Posted By Rich-A sunny weekday during semester break afforded me a chance to take a few back roads through New Jersey on my way to pick up work from the Artists’ Gallery in Lambertville. Instead of heading up Rt 29 from Washington’s Crossing, I entered into New Jersey on I-95 using the Scudder’s Falls Bridge over the Delaware River (and although I am well acquainted with the Pennsylvania side of the river at that point, I have never seen a waterfall in the vicinity I consider large enough to name a bridge for. Maybe the name comes from the NJ side…?)
I took the North off ramp of the second exit on the interstate, and almost immediately I was obliged to take a detour, so it became a rather easy task to take a road less traveled. Well, one less traveled by me, anyways. Seems like all of the roads in this part of the country have heavy traffic.
The afternoon sun cast long shadows over nondescript office parks and even more nondescript housing developments that appeared like odd growths on the former farmland. Styles of the houses reflected boom times from different eras: post WWII Cape Codders , sprawling ‘50s ranches, split levels from the ‘60s and ‘70s, and odd “transitional” styles from the 80’s and later that we have come to know collectively as “McMansions”. Following the detour signs, I ended up in Pennington and stopped at a service station to buy a road map of NJ. After studying it briefly, however, I decided it wasn’t a very good one: for instance, it completely omitted Mahwah, a larger northern NJ town near the border of New York Sate and the home of inventor and guitar great Les Paul. Mahwah is also a landmark I use when racing up I-287 to the Tappanzee Bridge and over the Hudson to get my daughter at college in New England.
I drove north out of Pennington through intermittent collections of dwellings that ranged from modest farmhouses to the aforementioned McMansions, houses that seemed ridiculous by contrast with ostentatious displays of ornamentation and imitation stone work. Eventually I entered the delightful town of Hopewell, NJ. I had been to Hopewell once before with a good friend who grew up there in the 1950’s and early 60’s, and it appears that not much has changed since then. My friend gave me the cook’s tour of the place on that day and I was glad to return and have a chance to take a few pictures. I parked my truck and walked a bit, heading towards the Hopewell train station. It is a grand brick Victorian structure, well preserved both inside and out and situated nicely by itself on the edge of town. However, it appears one of the things that have changed in Hopewell since the 1950s is that trains no longer make regular stops there, although the track is still active; a CSX freight rolled through and the echoes of the noise on the frame houses sounded like a jet aircraft taking off at Newark International. I walked around town for a while and shot some reference pix, and on a quiet side street (pictured above) a barking dog came running quickly across a yard at me. I was a bit alarmed when it became evident the dog was not restricted to the yard by an electronic device attached to it’s collar, but the dog’s wagging tail and happy bounce up to me showed me I had no reason to be afraid.

Greeted by a happy dog on a quiet street in a small town on a sunny afternoon; felt kind of nice to be in Hopewell right then.